I started writing TV recaps and reviews a few years ago when a friend of a friend at a major newspaper told me they were expanding their TV coverage and needed people do cover a few shows, so I picked up two programs I already watched a lot, 'The Office' and 'ER.' It sounded easy enough, writing my thoughts on shows I already had opinions on anyway, although it took several tries to get the tone right–sometimes it still does. Some publications want a lot of recap, and some prefer that you assume that the readers saw the show and just touch on the major points. Some editors encourage plenty of sassmouth and snark, whereas others won’t tolerate even a hint at a swear word.
Typically, I'm assigned to review either an episode or a series of a show. I watch the show, and as quickly as possible, but as thoughtfully and with as much "voice" as possible, record my impressions of the quality of the episode along with the recap.
It’s a fun job, one that I’m lucky to have, period, let alone make a few bucks off, but like any writing gig, it comes with its own writey lessons.
• Long scripted dramas and reality TV shows are the easiest to cover. Half-hour comedies are some of the hardest. It can be difficult to stretch a recap of a half-hour show into several good paragraphs and you can only say “…and it was funny when…” so many times. Also really hard to turn into something: results shows that aren’t finales.They’re usually all filler except for the results–the best reality TV competition shows are figuring out how to make the results shows worth watching because otherwise people will just skip and read about what happened online. With a drama, though, you can usually find something to say about the season (or series) as a whole even if the episode didn’t give you a ton to work with.
• Screeners make life so much easier. I think I automatically relax and like a show more if I know I have a day or two to think about it after I watch it than if I only have an hour or two to write it up. Knocking out a writeup on a two-hour episode of 'American Idol' an hour after seeing it and making it comprehensive, entertaining, and spelling-error free is sometimes a challenge.
• Livechatting reality TV show finales is way more fun than writing about them. As great a job it is to write about television, actually talking to like-minded people in real time and trying to one-up each other with jokes and observations is more fun. They’re like TV-watching parties but without that pesky real live interaction that goes along with that whole having-to-put-on-a-bra thing.
• If you truly love a show, don't review it. I get asked occasionally to review 'RuPaul's Drag Race' but I won't, at least not full-time, because I like saving that show as pure entertainment, just me and the TV and no notes or observations. Because even though writing about TV isn’t especially grueling work, it’s still work, and if you really love letting a show take you away for a little while, it’s best just to keep it as entertainment without turning it into an assignment, to remember what it’s like to just watch something without taking notes. I do like subbing for people who cover shows I watch just for fun, though. There’s less pressure to come up with something new to say, and you get to come at it from a fan’s perspective, not a critic’s. Plus, if for some reason you rub the readers the wrong way, it was just a one-time thing and they won't be back next week to tell you what an ass you are.
• Commenters will eat your soul if you let them. I have other critic friends who can avoid comments completely or not let them get to them. I am not one of these people. Why do I read comments on my pieces? Because I’m a masochist, that’s why. I guess I should stop being surprised when people use the internet's anonymity to be jerks. Being told that your mother should have had aborted you when she had the chance because of your opinion on 'Lost' (this didn’t happen to me, it happened to a colleague) never goes down easy. I learn to laugh a day or two later but I’m still naively shaken sometimes by how rude people can be (My opinion on one episode of 'SNL' made one person decide that I am "literally retarded"). That said, I also feel crappy if a commenter politely points out that I made a mistake or missed something.
• Whenever people find out you're a TV critic and ask you what’s good, without fail, you draw a blank and then you feel like an idiot. I feel like I can’t keep saying 'The Wire' for forever, I’m afraid to admit to how loyal a 'Bridezillas' viewer I am. Alternately, they haven't heard of any of the shows you do recommend. Or, they watched a few episodes of your favorite show and hated it and then you say “Oh, well,” and secretly judge them.
• Network swag is fun to receive, and then you throw it away. It’s entertaining to receive a big silly package from a network in the mail, until I realize that I have to dispose of all the packaging that it came in and what do I need with some of this swag, anyway? Except the time that a network sent me some pancake mix and syrup for Christmas. That was great.
• Going out and having a few drinks before you go home to write sounds like a much better and more enjoyable idea than it is. For something that sounds so fun and easy, you have to take it pretty seriously in order to do a decent job at it, especially since there are probably 200 people who would gladly take over covering for you. This goes double if you have a day job and can’t afford to sleep in because you started watching the two-hour 'Idol' “event” at 10 PM.
• Change is good. 'American Idol' is only two episodes in but the consensus amongst reviewers is that, so far, it’s not too terrible. In my experience, a reality TV show changing up its format, if even slightly, is a good thing, at least from a writing perspective. When 'So You Think You Can Dance' incorporated its All-Stars last season, it might not have been for the best of the show, but at least I could evaluate the changes and ask the readers what they thought. When a show rests too long in format you can get too comfortable (Eventually I had a hard time finding much to say about 'Project Runway' for the first 75% of each episode, since it started to feel like everything prior to the runway was pretty irrelevant, unless Tim Gunn did something noteworthy).
• Tim Gunn, over the phone, is as nice as you’d hope he’d be. Better, even. Classy, charming, intelligent, friendly: I was so excited after I interviewed him that I did a horrible job spell-checking the interview and let it get posted when it really shouldn’t have. I just wanted to brag to the world that I talked to him. Also very nice, despite probably being richer than anyone else I know: Nigel Lythgoe.
Claire Zulkey lives in Chicago. You can learn so much more about her here.
Photo by Powi, from Flickr.
Deadline confirms the deal with Universal but isn’t able to say whether Julian Assange will participate in the film. Regardless, the movie could be a firebrand that surpasses the interest generated by Mr. Gibney’s last few films.
Julian Assange, the founder of the whistleblower organization WikiLeaks and therefore responsible for the release of thousands of confidential government documents, is a figure that people tend to either love or hate. To some he’s a hero and a champion of free speech and democracy; others see him as an enemy and someone who endangers our freedom by compromising the inner workings of government. (And there are probably many who see him as a troublesome, egocentric kid.)
All that being the case I’d say that Alex Gibney is the perfect man for this job, and I’m eagerly awaiting the results of his work.
In addition, producers at Josephson Entertainment and Michelle Krumm Prods have optioned Andrew Fowler‘s forthoming biography of Mr. Assange, called The Most Dangerous Man in the World. They plan a ‘suspenceful drama thriller’ based on the bio. The book follows the WikiLeaks founder from childhood to the present day. Producers compare the story they want to tell to All the President’s Men.
No word on a screenwriter, director or cast for the biopic at this point. Too bad Steven Soderbergh likely won’t have any interest in this; he’d be great for it. [Variety]
bench craft company reviewsGiven that some economists still debate the root causes of the Great Depression, little wonder that a multitude of competing stories still vies for affirmation as explanation for the financial crisis of 2008.
When Speaker Nancy Pelosi (D-Calif.) decided to run for Minority Leader after Democrats lost the House in November, she wanted to get the news out fast and cast a wide net. So she tweeted it.
Horse Tracks -- Your Daily Cup of Orange and Blue Coffee.
benchcraft company scam I started writing TV recaps and reviews a few years ago when a friend of a friend at a major newspaper told me they were expanding their TV coverage and needed people do cover a few shows, so I picked up two programs I already watched a lot, 'The Office' and 'ER.' It sounded easy enough, writing my thoughts on shows I already had opinions on anyway, although it took several tries to get the tone right–sometimes it still does. Some publications want a lot of recap, and some prefer that you assume that the readers saw the show and just touch on the major points. Some editors encourage plenty of sassmouth and snark, whereas others won’t tolerate even a hint at a swear word.
Typically, I'm assigned to review either an episode or a series of a show. I watch the show, and as quickly as possible, but as thoughtfully and with as much "voice" as possible, record my impressions of the quality of the episode along with the recap.
It’s a fun job, one that I’m lucky to have, period, let alone make a few bucks off, but like any writing gig, it comes with its own writey lessons.
• Long scripted dramas and reality TV shows are the easiest to cover. Half-hour comedies are some of the hardest. It can be difficult to stretch a recap of a half-hour show into several good paragraphs and you can only say “…and it was funny when…” so many times. Also really hard to turn into something: results shows that aren’t finales.They’re usually all filler except for the results–the best reality TV competition shows are figuring out how to make the results shows worth watching because otherwise people will just skip and read about what happened online. With a drama, though, you can usually find something to say about the season (or series) as a whole even if the episode didn’t give you a ton to work with.
• Screeners make life so much easier. I think I automatically relax and like a show more if I know I have a day or two to think about it after I watch it than if I only have an hour or two to write it up. Knocking out a writeup on a two-hour episode of 'American Idol' an hour after seeing it and making it comprehensive, entertaining, and spelling-error free is sometimes a challenge.
• Livechatting reality TV show finales is way more fun than writing about them. As great a job it is to write about television, actually talking to like-minded people in real time and trying to one-up each other with jokes and observations is more fun. They’re like TV-watching parties but without that pesky real live interaction that goes along with that whole having-to-put-on-a-bra thing.
• If you truly love a show, don't review it. I get asked occasionally to review 'RuPaul's Drag Race' but I won't, at least not full-time, because I like saving that show as pure entertainment, just me and the TV and no notes or observations. Because even though writing about TV isn’t especially grueling work, it’s still work, and if you really love letting a show take you away for a little while, it’s best just to keep it as entertainment without turning it into an assignment, to remember what it’s like to just watch something without taking notes. I do like subbing for people who cover shows I watch just for fun, though. There’s less pressure to come up with something new to say, and you get to come at it from a fan’s perspective, not a critic’s. Plus, if for some reason you rub the readers the wrong way, it was just a one-time thing and they won't be back next week to tell you what an ass you are.
• Commenters will eat your soul if you let them. I have other critic friends who can avoid comments completely or not let them get to them. I am not one of these people. Why do I read comments on my pieces? Because I’m a masochist, that’s why. I guess I should stop being surprised when people use the internet's anonymity to be jerks. Being told that your mother should have had aborted you when she had the chance because of your opinion on 'Lost' (this didn’t happen to me, it happened to a colleague) never goes down easy. I learn to laugh a day or two later but I’m still naively shaken sometimes by how rude people can be (My opinion on one episode of 'SNL' made one person decide that I am "literally retarded"). That said, I also feel crappy if a commenter politely points out that I made a mistake or missed something.
• Whenever people find out you're a TV critic and ask you what’s good, without fail, you draw a blank and then you feel like an idiot. I feel like I can’t keep saying 'The Wire' for forever, I’m afraid to admit to how loyal a 'Bridezillas' viewer I am. Alternately, they haven't heard of any of the shows you do recommend. Or, they watched a few episodes of your favorite show and hated it and then you say “Oh, well,” and secretly judge them.
• Network swag is fun to receive, and then you throw it away. It’s entertaining to receive a big silly package from a network in the mail, until I realize that I have to dispose of all the packaging that it came in and what do I need with some of this swag, anyway? Except the time that a network sent me some pancake mix and syrup for Christmas. That was great.
• Going out and having a few drinks before you go home to write sounds like a much better and more enjoyable idea than it is. For something that sounds so fun and easy, you have to take it pretty seriously in order to do a decent job at it, especially since there are probably 200 people who would gladly take over covering for you. This goes double if you have a day job and can’t afford to sleep in because you started watching the two-hour 'Idol' “event” at 10 PM.
• Change is good. 'American Idol' is only two episodes in but the consensus amongst reviewers is that, so far, it’s not too terrible. In my experience, a reality TV show changing up its format, if even slightly, is a good thing, at least from a writing perspective. When 'So You Think You Can Dance' incorporated its All-Stars last season, it might not have been for the best of the show, but at least I could evaluate the changes and ask the readers what they thought. When a show rests too long in format you can get too comfortable (Eventually I had a hard time finding much to say about 'Project Runway' for the first 75% of each episode, since it started to feel like everything prior to the runway was pretty irrelevant, unless Tim Gunn did something noteworthy).
• Tim Gunn, over the phone, is as nice as you’d hope he’d be. Better, even. Classy, charming, intelligent, friendly: I was so excited after I interviewed him that I did a horrible job spell-checking the interview and let it get posted when it really shouldn’t have. I just wanted to brag to the world that I talked to him. Also very nice, despite probably being richer than anyone else I know: Nigel Lythgoe.
Claire Zulkey lives in Chicago. You can learn so much more about her here.
Photo by Powi, from Flickr.
Deadline confirms the deal with Universal but isn’t able to say whether Julian Assange will participate in the film. Regardless, the movie could be a firebrand that surpasses the interest generated by Mr. Gibney’s last few films.
Julian Assange, the founder of the whistleblower organization WikiLeaks and therefore responsible for the release of thousands of confidential government documents, is a figure that people tend to either love or hate. To some he’s a hero and a champion of free speech and democracy; others see him as an enemy and someone who endangers our freedom by compromising the inner workings of government. (And there are probably many who see him as a troublesome, egocentric kid.)
All that being the case I’d say that Alex Gibney is the perfect man for this job, and I’m eagerly awaiting the results of his work.
In addition, producers at Josephson Entertainment and Michelle Krumm Prods have optioned Andrew Fowler‘s forthoming biography of Mr. Assange, called The Most Dangerous Man in the World. They plan a ‘suspenceful drama thriller’ based on the bio. The book follows the WikiLeaks founder from childhood to the present day. Producers compare the story they want to tell to All the President’s Men.
No word on a screenwriter, director or cast for the biopic at this point. Too bad Steven Soderbergh likely won’t have any interest in this; he’d be great for it. [Variety]
benchcraft company scamGiven that some economists still debate the root causes of the Great Depression, little wonder that a multitude of competing stories still vies for affirmation as explanation for the financial crisis of 2008.
When Speaker Nancy Pelosi (D-Calif.) decided to run for Minority Leader after Democrats lost the House in November, she wanted to get the news out fast and cast a wide net. So she tweeted it.
Horse Tracks -- Your Daily Cup of Orange and Blue Coffee.
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bench craft company reviews
benchcraft company scamGiven that some economists still debate the root causes of the Great Depression, little wonder that a multitude of competing stories still vies for affirmation as explanation for the financial crisis of 2008.
When Speaker Nancy Pelosi (D-Calif.) decided to run for Minority Leader after Democrats lost the House in November, she wanted to get the news out fast and cast a wide net. So she tweeted it.
Horse Tracks -- Your Daily Cup of Orange and Blue Coffee.
bench craft company reviews I started writing TV recaps and reviews a few years ago when a friend of a friend at a major newspaper told me they were expanding their TV coverage and needed people do cover a few shows, so I picked up two programs I already watched a lot, 'The Office' and 'ER.' It sounded easy enough, writing my thoughts on shows I already had opinions on anyway, although it took several tries to get the tone right–sometimes it still does. Some publications want a lot of recap, and some prefer that you assume that the readers saw the show and just touch on the major points. Some editors encourage plenty of sassmouth and snark, whereas others won’t tolerate even a hint at a swear word.
Typically, I'm assigned to review either an episode or a series of a show. I watch the show, and as quickly as possible, but as thoughtfully and with as much "voice" as possible, record my impressions of the quality of the episode along with the recap.
It’s a fun job, one that I’m lucky to have, period, let alone make a few bucks off, but like any writing gig, it comes with its own writey lessons.
• Long scripted dramas and reality TV shows are the easiest to cover. Half-hour comedies are some of the hardest. It can be difficult to stretch a recap of a half-hour show into several good paragraphs and you can only say “…and it was funny when…” so many times. Also really hard to turn into something: results shows that aren’t finales.They’re usually all filler except for the results–the best reality TV competition shows are figuring out how to make the results shows worth watching because otherwise people will just skip and read about what happened online. With a drama, though, you can usually find something to say about the season (or series) as a whole even if the episode didn’t give you a ton to work with.
• Screeners make life so much easier. I think I automatically relax and like a show more if I know I have a day or two to think about it after I watch it than if I only have an hour or two to write it up. Knocking out a writeup on a two-hour episode of 'American Idol' an hour after seeing it and making it comprehensive, entertaining, and spelling-error free is sometimes a challenge.
• Livechatting reality TV show finales is way more fun than writing about them. As great a job it is to write about television, actually talking to like-minded people in real time and trying to one-up each other with jokes and observations is more fun. They’re like TV-watching parties but without that pesky real live interaction that goes along with that whole having-to-put-on-a-bra thing.
• If you truly love a show, don't review it. I get asked occasionally to review 'RuPaul's Drag Race' but I won't, at least not full-time, because I like saving that show as pure entertainment, just me and the TV and no notes or observations. Because even though writing about TV isn’t especially grueling work, it’s still work, and if you really love letting a show take you away for a little while, it’s best just to keep it as entertainment without turning it into an assignment, to remember what it’s like to just watch something without taking notes. I do like subbing for people who cover shows I watch just for fun, though. There’s less pressure to come up with something new to say, and you get to come at it from a fan’s perspective, not a critic’s. Plus, if for some reason you rub the readers the wrong way, it was just a one-time thing and they won't be back next week to tell you what an ass you are.
• Commenters will eat your soul if you let them. I have other critic friends who can avoid comments completely or not let them get to them. I am not one of these people. Why do I read comments on my pieces? Because I’m a masochist, that’s why. I guess I should stop being surprised when people use the internet's anonymity to be jerks. Being told that your mother should have had aborted you when she had the chance because of your opinion on 'Lost' (this didn’t happen to me, it happened to a colleague) never goes down easy. I learn to laugh a day or two later but I’m still naively shaken sometimes by how rude people can be (My opinion on one episode of 'SNL' made one person decide that I am "literally retarded"). That said, I also feel crappy if a commenter politely points out that I made a mistake or missed something.
• Whenever people find out you're a TV critic and ask you what’s good, without fail, you draw a blank and then you feel like an idiot. I feel like I can’t keep saying 'The Wire' for forever, I’m afraid to admit to how loyal a 'Bridezillas' viewer I am. Alternately, they haven't heard of any of the shows you do recommend. Or, they watched a few episodes of your favorite show and hated it and then you say “Oh, well,” and secretly judge them.
• Network swag is fun to receive, and then you throw it away. It’s entertaining to receive a big silly package from a network in the mail, until I realize that I have to dispose of all the packaging that it came in and what do I need with some of this swag, anyway? Except the time that a network sent me some pancake mix and syrup for Christmas. That was great.
• Going out and having a few drinks before you go home to write sounds like a much better and more enjoyable idea than it is. For something that sounds so fun and easy, you have to take it pretty seriously in order to do a decent job at it, especially since there are probably 200 people who would gladly take over covering for you. This goes double if you have a day job and can’t afford to sleep in because you started watching the two-hour 'Idol' “event” at 10 PM.
• Change is good. 'American Idol' is only two episodes in but the consensus amongst reviewers is that, so far, it’s not too terrible. In my experience, a reality TV show changing up its format, if even slightly, is a good thing, at least from a writing perspective. When 'So You Think You Can Dance' incorporated its All-Stars last season, it might not have been for the best of the show, but at least I could evaluate the changes and ask the readers what they thought. When a show rests too long in format you can get too comfortable (Eventually I had a hard time finding much to say about 'Project Runway' for the first 75% of each episode, since it started to feel like everything prior to the runway was pretty irrelevant, unless Tim Gunn did something noteworthy).
• Tim Gunn, over the phone, is as nice as you’d hope he’d be. Better, even. Classy, charming, intelligent, friendly: I was so excited after I interviewed him that I did a horrible job spell-checking the interview and let it get posted when it really shouldn’t have. I just wanted to brag to the world that I talked to him. Also very nice, despite probably being richer than anyone else I know: Nigel Lythgoe.
Claire Zulkey lives in Chicago. You can learn so much more about her here.
Photo by Powi, from Flickr.
Deadline confirms the deal with Universal but isn’t able to say whether Julian Assange will participate in the film. Regardless, the movie could be a firebrand that surpasses the interest generated by Mr. Gibney’s last few films.
Julian Assange, the founder of the whistleblower organization WikiLeaks and therefore responsible for the release of thousands of confidential government documents, is a figure that people tend to either love or hate. To some he’s a hero and a champion of free speech and democracy; others see him as an enemy and someone who endangers our freedom by compromising the inner workings of government. (And there are probably many who see him as a troublesome, egocentric kid.)
All that being the case I’d say that Alex Gibney is the perfect man for this job, and I’m eagerly awaiting the results of his work.
In addition, producers at Josephson Entertainment and Michelle Krumm Prods have optioned Andrew Fowler‘s forthoming biography of Mr. Assange, called The Most Dangerous Man in the World. They plan a ‘suspenceful drama thriller’ based on the bio. The book follows the WikiLeaks founder from childhood to the present day. Producers compare the story they want to tell to All the President’s Men.
No word on a screenwriter, director or cast for the biopic at this point. Too bad Steven Soderbergh likely won’t have any interest in this; he’d be great for it. [Variety]
bench craft company reviews
bench craft company reviewsGiven that some economists still debate the root causes of the Great Depression, little wonder that a multitude of competing stories still vies for affirmation as explanation for the financial crisis of 2008.
When Speaker Nancy Pelosi (D-Calif.) decided to run for Minority Leader after Democrats lost the House in November, she wanted to get the news out fast and cast a wide net. So she tweeted it.
Horse Tracks -- Your Daily Cup of Orange and Blue Coffee.
bench craft company reviews
benchcraft company portland orGiven that some economists still debate the root causes of the Great Depression, little wonder that a multitude of competing stories still vies for affirmation as explanation for the financial crisis of 2008.
When Speaker Nancy Pelosi (D-Calif.) decided to run for Minority Leader after Democrats lost the House in November, she wanted to get the news out fast and cast a wide net. So she tweeted it.
Horse Tracks -- Your Daily Cup of Orange and Blue Coffee.
benchcraft company portland orGiven that some economists still debate the root causes of the Great Depression, little wonder that a multitude of competing stories still vies for affirmation as explanation for the financial crisis of 2008.
When Speaker Nancy Pelosi (D-Calif.) decided to run for Minority Leader after Democrats lost the House in November, she wanted to get the news out fast and cast a wide net. So she tweeted it.
Horse Tracks -- Your Daily Cup of Orange and Blue Coffee.
bench craft company reviewsGiven that some economists still debate the root causes of the Great Depression, little wonder that a multitude of competing stories still vies for affirmation as explanation for the financial crisis of 2008.
When Speaker Nancy Pelosi (D-Calif.) decided to run for Minority Leader after Democrats lost the House in November, she wanted to get the news out fast and cast a wide net. So she tweeted it.
Horse Tracks -- Your Daily Cup of Orange and Blue Coffee.
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benchcraft company scam bench craft company reviewsGiven that some economists still debate the root causes of the Great Depression, little wonder that a multitude of competing stories still vies for affirmation as explanation for the financial crisis of 2008.
When Speaker Nancy Pelosi (D-Calif.) decided to run for Minority Leader after Democrats lost the House in November, she wanted to get the news out fast and cast a wide net. So she tweeted it.
Horse Tracks -- Your Daily Cup of Orange and Blue Coffee.
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In any situation for on-line money making, organizing one's interests would be very helpful to shortlist the different methods available. There are lots of methods like getting paid to blog, writing articles and gaining from ad revenue, being paid a revenue share for writing, writing sites for clients to outsource, writing letters to submit to a bank of other letters for customers to choose from, paid to review sites, affiliate programs and many more. The list is just endless and there are just enormous ways of on-line money making. In my own personal observation, I notice that there are lots of people liking the idea of paid to blog. That is one of the best methods of earning money.
A lot of people are saying that it's best to not invest in any money at all for your on-line quest. To shed your dollar means something is not right. That's the general rule. There are perhaps lots of people out there making it in their best interest to only participate in free to join websites. However, I think there are legit sites out there with a low minimal fee like for instance, to purchase referrals and gain a bigger ads view per day. This is evident in PTC or what they call Paid to Click programs. There are just aplenty; some are still running while others are either already closed down or total scams. Therefore, be vigilant when choosing your programs. Next off will be the payment options. Choose the right kind of option. There are lots of people using Pay-Pal as well as Alert-Pay. Read the FAQs of each site and get to know their policy and what kind of payment options they are offering. Some only pay in checks so do take note in this kind of situation, you cannot use your Pay-Pal account to receive earnings.
In a way, this on-line money making method and/or various free to join websites can be your ideal work from home idea and some people are so successful that they have been making it their full-time job. However, if you are starting out, it's best to not resign your job for different people success vary definitely. Normally for a site that you are going to work for, say in writing sites, forums or anything at all, there will most probably be a community talk there. It can either be through their Help section, special forum panel and there are even some sites where members can leave testimonials. You can roughly estimate from there; whether the site is worth working for or not. Most sites cite in their terms and conditions that the registered member is an independent contractor. Read the clause and make yourself understand all the terms and words being used. In other words, do your research well.
Some money making sites are even providing a chart on article statistics or traffic coming to which article of yours. This instance is very familiar with Associated Content website and I totally dig this feature. It is a great analyzer for me, really. Summarily, with a little or lots of efforts, honest sites are there and they do pay members whom work hard. Do your research and never give up. Good luck for your quest..
big seminar 14Given that some economists still debate the root causes of the Great Depression, little wonder that a multitude of competing stories still vies for affirmation as explanation for the financial crisis of 2008.
When Speaker Nancy Pelosi (D-Calif.) decided to run for Minority Leader after Democrats lost the House in November, she wanted to get the news out fast and cast a wide net. So she tweeted it.
Horse Tracks -- Your Daily Cup of Orange and Blue Coffee.
big seminar 14Given that some economists still debate the root causes of the Great Depression, little wonder that a multitude of competing stories still vies for affirmation as explanation for the financial crisis of 2008.
When Speaker Nancy Pelosi (D-Calif.) decided to run for Minority Leader after Democrats lost the House in November, she wanted to get the news out fast and cast a wide net. So she tweeted it.
Horse Tracks -- Your Daily Cup of Orange and Blue Coffee.
big seminar 14
